My Melbourne review: The anthology film offers both a platform and a voice to undelineated groups in society!

In this review, cinematic_beacon aka Rhea examines the four-part anthology film directed by Imtiaz Ali, Onir, Kabir Khan, and Rima Das. 

Making someone feel seen and heard is by far the most gratifying emotion I have ever experienced and My Melbourne does precisely that for a large community of people! Based in Australia, this four-part anthology directed by Imtiaz Ali, Onir, Kabir Khan, and Rima Das touches on sensitive subjects about race, disability, sexuality, and gender. Banking upon amplified sentiments, the film ticks all the boxes as far as likability is concerned. Each director evokes a sense of care and empathy in their viewers. Whether it is Sakshi’s courage in demanding equality or Setara’s fearless pursuit of her dreams, the narratives bring out a relatability quotient, suggesting that the film is made for everyone. In some capacity, each individual watching, regardless of sex, class, or education, connects with the anthology at a deeper level - sending an excellent message to the world!

Also Read: The Blindspot review: This film felt like capturing a snapshot of childhood memories!

I was especially touched by Imtiaz Ali’s Jules and how it addressed multiple issues simultaneously. Ali discusses the struggle of settling into a new space as a person of colour. He also challenges the notion that all beggars are mindless or foolish individuals. Finally, he touches on the power struggle in a heterosexual relationship. I’m reminded of the Hindi phrase, “ek teer, do nishaane,” meaning that one film tackles years of generational problems all at once. 

Kabir Khan’s film could not be more auteurish. The cricket, flashbacks, an ode to Afghanistan, music, dialogues, and the presence of an absent figure during a moment of need scream Kabir Khan. These elements work in tandem to create a beautiful short film, and as usual, the ‘josh’ was high and the ending was overly satisfying. Rima Das and Onir’s films were a bit more abstract than the first two. They exuded the classic indie cinema vibe—lack of dialogue, emphasis on silences, and long, drawn-out single-take sequences. An outstanding balance was created among the four filmmakers, making the anthology both creatively and artistically sound.

While some scenes were a tad lengthy in a few of these films, the audience’s response was nothing short of a standing ovation. Over time, I have learned that cinema does not always have to make sense. Sometimes, it simply comes and goes, touching you in unexpected ways! Hence, My Melbourne, with its feature of splendid casting, remarkable music, and, above all, brilliant direction from the four filmmakers, made a genuine attempt at creating films for diversity. I applaud them for the thought, as well as the final outcome. 

My Melbourne had its Indian premiere at the MAMI Mumbai Film Festival this year! 

For more reviews, follow us on @socialketchupbinge